This weekend we have mostly been recycling. At least that’s what I call it; Mrs Aitchworld calls it dumpster diving, despite not even being American. To explain, the mechanics in the garage over the road have ordered in a big skip and are having a clear out. The owners of the garage decided they would utilise it to clear out their homes as well and they turned up on Saturday afternoon and disgorged the entire contents of a Mitsubishi Shogun into the skip. It’s a long wheel base one, so there was plenty coming out of it!
I only paid scant regard as it was happening, but after they had gone, I noticed there was a large amount of primary coloured plastic now adorning the skip. This could only mean one thing – kids’ toys! It was hard to tell from across the yard to the garage, but there looked to be several items in near perfect condition, lying now in what the owners thought would be their final resting place. My intrigue was piqued though so I had to inspect further.
There were indeed many toys, all of them in good order and working condition and the mountain of plastic tat we already have in the playroom has swollen somewhat. As regular readers (if any exist outside of my head) will know, there is a musical theme that runs through this blog and music is something I hold dear, so I was especially pleased that I could rescue a small keyboard (in working order still with batteries in it) and a complete toddler-sized drum kit from said skip. The stand for the cymbal was missing, but I soon fashioned one with a bit of dowel and a couple of screws and a few washers.
Now most parents couldn’t think of anything worse than a drum kit that a toddler can play, but I like it. For a start, when I can hear Henry or Arthur bashing away at the drums or playing the keyboard, I know where they are. It gives me and Mrs Aitchworld a chance to get on with something else without constant supervision of the boys. The time to worry is when it all goes quiet.
Considering music is so important to me, it is something of a surprise that I waited until I was about 42 before I actually learned to play a musical instrument seriously, which was when I started to go to Ukulele club. First rule etc., etc. Beyond this, I have been known to have the odd toot on a harmonica over the years, but I wouldn’t say I was proficient in any way with one. Same goes for the keyboard – I can knock out a rough tune but I’m no Rick Wakeman. I tried to learn the guitar when I first went to high school, but the teacher was crap and didn’t inspire me at all and so I soon gave up.
I would love for the boys to be able to play instruments. It’s down to them, of course, but I will be trying to influence them. However, if I am totally honest with myself, it may be that I am trying to live my life vicariously through them now; for them to take up the baton where I dropped it. I’m not talking about the giving up of the guitar lessons. No, I’m talking about me and some guys from school; we had a band but we didn’t try hard.
By any stretch of the imagination, it was a short-lived affair, starting when we were about 17 and ending, when we were, erm, well about 17 really. A friend, Karl “Woody” Wood, had parents who owned a holiday cottage in Wales somewhere and visited it most weekends. He offered their home as a place for us to converge and practice our music. We weren’t so much a garage band as a living room, spilling out into the conservatory, band. We were middle class kids living in a small market town in Cheshire, after all. We had to give him some credit for this, so we did it by way of the band’s name and called ourselves Woody’s Comet.
The line-up consisted of Steve, who played guitar. Only he didn’t. He just owned a guitar and a fancy amp with various inputs that we could all use. He justified his position in the band by stating that he was musical and came from a musical family – his four sisters and his mum could all play instruments with flair and to be fair, Steve could play the trumpet. But not the guitar. Not a single note. We did suggest that he play his trumpet in the band, but this was stupid, for a rock group, apparently.
We also had Mark, who did have a guitar and could actually play it, so until Steve got to grips with it, we at least had a guitarist. We could sort out guitar pecking orders at a later date – we had enough issues in the rhythm section for now to contend with.
Damon could, he said, play drums but he didn’t own a kit. He said he was saving to get one. So that’s okay then. Complementing this rhythm section was not one, but two bass players, Jez and Karl (Woody). Having a surplus of talent, if that’s what we could call it (and if we’re being entirely honest about things, we couldn’t) should be a good thing, but Jez and Karl couldn’t agree on who was going to be lead bassist and who was going to be the rhythm bassist. It was a never ending battle. At least they had bass guitars and were reasonably proficient at playing them.
Finally, complementing the line-up was yours truly, on vocals and keyboard, the latter of which doubled up as a drum machine until Damon had saved up enough money from helping his dad on his ice cream round to buy a drum kit, and I also provided a tape-to-tape ghetto blaster with several line-in ports that would allow me to overdub and mix.
The only problem with the keyboard aspect of my position in the band was that the instrument in question belonged to my mother and it wasn’t allowed to leave the house under any circumstances. I wasn’t a lot better than Damon in that respect. Any synthesiser sounds and drum beats would have to be overdubbed later from the comfort of the Aitchworld familial home.
We had a plan. Sort of. I wrote a few lyrics (I still remember the title of the first song I penned, “Children of the Night” – Mark claimed recently he still might have my scribbles of this song somewhere) and even designed an album cover of sorts, but I did it in the size and shape of a cassette case because that was the format our music would first be produced onto. The rest of the band would then come up with a tune to suit the lyrics. This was how all bands did it, right?
Well they may have but it didn’t work for us. None of us could agree on a tune. Naturally I had the basis of a tune in my head when I composed the lyrics, Steve had another once he saw them, Jez and Woody were arguing about who was the lead bassist, Mark sat quietly in the corner and every time Damon came up with anything it was summarily dismissed as sounding too much like the tune emanating from his dad’s ice cream van.
Eventually, Damon quit and Woody got married; I should have known we wouldn’t get far. It was the summer of ’89…
I jest. Woody didn’t really get married. Damon didn’t have a role to quit from because he never got the drum kit. His dad was also a woodwork teacher as well as running an ice-cream van and he did whittle some drumsticks up on the school lathe, but the drum kit to go with them was never forthcoming.
I don’t recall now whether we ever recorded much. I vaguely remember a tape-cassette existing of some of our work, but I have no idea how much or whatever happened to it. In fact I don’t remember us actually playing much at all either. It was about this time that we discovered alcohol and smoking, aided and abetted by the off licence that would serve us, knowing full well that we were underage, and the girl of only a couple of years older than us who worked there and used to advise on what best to drink to get the maximum hit. It was something different every week.
In particular I remember the snakebite we made using Special Brew and Diamond White. In fact just thinking about it has conjured up the taste of it in my mouth. This is probably why we tried something different every week because we didn’t want to taste it a third time. How we managed to clear up the vomit from the bathroom (and kitchen, and conservatory, and front lawn, and patio) before Woody’s mum and dad returned from their weekend in Wales is both a mystery and a miracle.
Needless to say, this activity got in the way of actually playing and being creative. I do have a vague memory of us playing something only to find at the end of it we hadn’t started the tape to record our masterpiece. I guess it was at this point that we decided that we weren’t quite cut out for it.
We had fun along the way though, and this is what I would like for Arthur and Henry, minus the smoking and drinking-until-they-vomit part of it obviously. But the creativity and the teamwork has got to be good for them. It’s part of what made me the well-rounded character that I am today. There’s no pressure though and to be honest, on the keyboard we dug out of the skip there is a record function and they have already committed more to tape than Woody’s Comet ever did so they are already ahead of me! I could have the next Hanson on my hands here…